Prints

For the 1964 Fontana edition of Alistair MacLean’s 1959 novel Night without End, Fratini captures the conflict of two men trapped on the ice after a crash-landing. It appears to depict a fight to the death, the eventual victim painted in aggressive red and bearing a gun.

Lever Gallery Prints

Professional high-resolution scan, colour adjusted to closely represent original artwork. Giclée print on 100% Cotton Rag ‘Hahnemühle’ 308gsm Fine Art Paper, using archival pigmented inks.

Created from an original artwork on art board, 1964

Lever Gallery Print

Professional high-resolution scan, colour adjusted to closely represent original artwork. Giclée print on 100% Cotton Rag ‘Hahnemühle’ 308gsm Fine Art Paper, using archival pigmented inks.

Paper size 42 cm X 29.7 cm  

If you have any questions regarding this edition please email info@levergallery.com

Original artwork; c.1960s, acrylic and pencil and board

Above Suspicion, a 1941 novel by Helen MacInnes was made into a film in 1943, starring Joan Crawford.  This is an example of how De Gaspari often used blocks of colour to focus his cover illustrations and his distinctive experiments with texture: layering different types of paper and sometimes even scratching the surfaces or rubbing sand into images.

Artist Signed Limited Edition Prints

Professional high-resolution scan, colour adjusted to closely represent original artwork. Giclée print on 100% Cotton Rag ‘Hahnemühle’ 308gsm Fine Art Paper, using archival pigmented inks.

Series One 2016    

Edition of 50 + 5 artist's proofs, each signed by the artist

Paper size 59.5 cm X 42 cm  

Series Two 2016    

Edition of 50 + 5 artist's proofs, each signed by the artist

Paper size 110 cm X 84 cm

If you have any questions regarding these editions please email info@levergallery.com

Original painting

c. 1965, acrylic on board

Like ‘White Leotard with Red Spot’, Johnson painted this to pitch to art directors at fashion magazines. They were some of the first images Johnson created with acrylic paint, which first became available in the 1960s. Before this, illustrators would use casein paint which dried very slowly. With acrylic, illustrators have to work quickly whilst it’s wet because it is waterproof when dry.

Lever Gallery Print

Professional high-resolution scan, colour adjusted to closely represent original artwork. Giclée print on 100% Cotton Rag ‘Hahnemühle’ 308gsm Fine Art Paper, using archival pigmented inks.

Paper size 59.5 cm X 42 cm  

If you have any questions regarding this edition please email info@levergallery.com

Original painting; gouache on board, c.1965, 

Cover illustration for the novel by critically acclaimed author Erskine Caldwell.  Briefly married to the eminent photojournalist Margaret Bourke-White, Caldwell did not shy away from exposing the poverty, racism and other social ills endemic in the South of the US during the 20^th century. The original painting art board is approximately 40 cm wide x 55 cm tall. 

Limited Edition Prints

Professional high-resolution scan, colour adjusted to closely represent original artwork. Giclée print on 100% Cotton Rag ‘Hahnemühle’ 308gsm Fine Art Paper, using archival pigmented inks.

Edition of 50 + 5 artist's proofs

Paper size 42 cm X 29.7 cm  

If you have any questions regarding this edition please email info@levergallery.com

Original Painting, acrylic on board c.1960s, 

Coppola captures a moment in paint. Though compositionally similar to his montage work and to the work of other illustrators of the time, there is a subtlety in this piece, and an everyday beauty that is still stylistically aspirational. The original painting art board is approximately 25 cm wide x 37 cm tall. 

Alistair MacLean’s 1961 thriller was republished by Fontana Books in 1967. Fratini depicted the ‘steel jungle’ oil-platform setting of the novel on a choppy ocean. The story of revenge is expressed in the struggle of the couple in the foreground.

Lever Gallery Print

Professional high-resolution scan, colour adjusted to closely represent original artwork. Giclée print on 100% Cotton Rag ‘Hahnemühle’ 308gsm Fine Art Paper, using archival pigmented inks.

Paper size 59.5 cm X 42 cm  

If you have any questions regarding this edition please email info@levergallery.com

Created from an original artwork; 1967, acrylic on board

1965, acrylic on board

This piece was commissioned by Hodder & Stoughton for a series of novels by Leslie Charteris, following the adventures of Simon Templar aka The Saint. Johnson regularly worked with the model used for this illustration, and would design the styling with her. The pose, and the scene, is heavily influenced by the casino photography of Richard Avedon.

Lever Gallery Limited Edition Prints

Professional high-resolution scan, colour adjusted to closely represent original artwork. Giclée print on 100% Cotton Rag ‘Hahnemühle’ 308gsm Fine Art Paper, using archival pigmented inks.

LG 2016  

Edition of 50 + 5 artist's proofs

Paper size 42 cm X 29.7 cm  

If you have any questions regarding this edition please email info@levergallery.com

Lever Gallery Print

Professional high-resolution scan, colour adjusted to closely represent original artwork. Giclée print on 100% Cotton Rag ‘Hahnemühle’ 308gsm Fine Art Paper, using archival pigmented inks.

Paper size approximately 59.5 cm tall X 42 cm wide 

If you have any questions regarding this edition please email info@levergallery.com

Original artwork; c.1960s, acrylic on board

Cover illustration for a later edition of the novel "Murder In Moscow" first published in 1951 by Collins. Andrew Garve is one of the pen names of Paul Winterton, accomplished journalist and founder member of the Crime Writers Association. This was Winterton's own favourite of his novels. 

The illustration reduces the story to its essence - as do all Robertson's illustrations in this style. Character and dramatic conflict were often represented in the simple, careful juxtaposition of highly detailed objects on a plain background. He offered tempting clues to the narrative, rather than drawing on an explicit moment or theme.

The original painting is approximately 36 cm wide x 58 cm tall. The artwork is float mounted on to conservation grade mountboard and presented in a white wooden box frame glazed with anti-reflective glass.

Lever Gallery Artist Signed Limited Edition Print

Edition 20 (+ 5 artist's proofs) numbered and signed by the artist
Size approx 81 cm X 65 cm  
Medium Professional high-resolution scan, colour adjusted to closely represent original artwork. Giclée print on 100% ‘Hahnemühle’ 308gsm Fine Art Paper, using archival pigmented inks.

If you would like further information regarding prints or framing please contact us info@levergallery.com

The original artwork was an acrylic painting on art board, 1965. Our prints are made using a 5X4 transparency of the original work

Illustration of the filming of the Moon Pit scene.

Brian Sanders was commissioned by Stanley Kubrick to record the film being made and spent a year drawing and painting in Stage H at Shepperton Studios, Shepperton, England. 

2001: A Space Odyssey production designer Harry Lange had previously worked at NASA with Wernher von Braun and as a result the designs he created for the film required security clearance by NASA.  Designs similar to Lange's work would appear in actual NASA space missions over the following decades. The production design, the realistic light and dark of space and the slow movement of action in the film helped establish it as touchstone for most if not all 'space' films that were to follow over the coming decades. 

Lever Gallery lovingly restored and scanned 50 year old 5'X4' and 10'X8' transparencies of Brian's original work, the actual drawings and paintings having been lost in a fire at Kubrick's house several years ago. The reproductions are the first time the public has been able to see again how the film was made, the dedication of Kubrick and the crew plus the highly innovative techniques used to create such convincing scenes of weightlessness in space.

Lever Gallery Signed Limited Edition Prints

Professional high-resolution scan, colour adjusted to closely represent original artwork. Giclée print on 100% Cotton Rag ‘Hahnemühle’ 308gsm Fine Art Paper, using archival pigmented inks.

LG 1 2016    

Edition of 50 + 5 artist's proofs, each signed by the artist

Paper size 59.5 cm X 42 cm  

Original work: c.1965, acrylic on board

Commissioned to illustrate a story in Women's Mirror magazine - Johnson uses monochrome shades to capture the scene. 

If you have any questions regarding this edition please email info@levergallery.com

Lever Gallery Artist Signed Limited Edition Print

Edition 20 (+ 5 artist's proofs) numbered and signed by the artist
Size approx 72 cm X 56 cm  
Medium Professional high-resolution scan, colour adjusted to closely represent original artwork. Giclée print on 100% ‘Hahnemühle’ 308gsm Fine Art Paper, using archival pigmented inks.

The original artwork was an acrylic painting on art board, 1965. Our prints are made using a 5X4 transparency of the original work

Brian Sanders was commissioned by Stanley Kubrick to record the film being made and spent a year drawing and painting in Stage H at Shepperton Studios, England. 

The drawing shows Stanley Kubrick giving British photographer and film-maker Lord Snowdon a guided tour of the set. Kubrick was highly protective of his work when under production but would occasionally show select people the set in action. 

2001: A Space Odyssey production designer Harry Lange had previously worked at NASA with Wernher von Braun and as a result the designs he created for the film required security clearance by NASA.  Designs similar to Lange's work would appear in actual NASA space missions over the following decades. The production design, the realistic light and dark of space and the slow movement of action in the film helped establish it as touchstone for most if not all 'space' films that were to follow over the coming decades. 

Lever Gallery meticulously restored and scanned 50 year old 5'X4' and 10'X8' transparencies of Brian's original work, the actual drawings and paintings having been lost in a fire at Kubrick's house several years ago. The reproductions are the first time the public has been able to see again how the film was made, the dedication of Kubrick and the crew plus the highly innovative techniques used to create such convincing scenes of weightlessness in space.

If you would like further information regarding prints or framing please contact us info@levergallery.com

Fontana Books published Gwyn Griffin’s novel, Freedom Observed, in 1965. Set in a fictional West African Republic about a United Nations observer who finds love amidst a gruelling conflict.  The gory narrative is represented in dark reds and browns, enlivened only by the pink blouse of the protagonist. The original painting art board is approximately 40 cm wide x 55 cm tall. 

Lever Gallery Print

Professional high-resolution scan, colour adjusted to closely represent original artwork. Giclée print on 100% Cotton Rag ‘Hahnemühle’ 308gsm Fine Art Paper, using archival pigmented inks.

Paper size 59.5 cm X 42 cm  

Created from an original painting; acrylic on board, 1965

Signed Limited Edition Prints

Professional high-resolution scan, colour adjusted to closely represent original artwork. Giclée print on 100% Cotton Rag ‘Hahnemühle’ 308gsm Fine Art Paper, using archival pigmented inks. 

Edition of 50 + 5 artist's proofs, each signed by the artist

Paper size 59.5 cm X 42 cm  

If you have any questions regarding this edition please email info@levergallery.com

Original painting, acrylic on board, c.1966,  

Whilst working for American magazines, Johnson created this to pitch to potential clients in New York.  In order to demonstrate his artistry and range, he has repeated male and female figures.  What began as something functional became part of Johnson’s developing style; in particular, his use of collage.

Lever Gallery Limited Edition Prints

Professional high-resolution scan, colour adjusted to closely represent original artwork. Giclée print on 100% Cotton Rag ‘Hahnemühle’ 308gsm Fine Art Paper, using archival pigmented inks.

One of only 20 prints - each signed by the artist Gino D'Achille

Paper size 59.5 cm X 42 cm  

If you have any questions regarding this edition please email info@levergallery.com

Original artwork; c.1965, acrylic on board

D’Achille represents the legendary Italian actor Marcello Mastroianni in this piece, setting him in London. The green tint to the background figures, and Mastroianni's brooding features, suggest jealousy or concealed anger in contrast to the innocence of the brightly clothed girl in the foreground.

The original painting art board is approximately 76 cm wide x 54 cm tall.

Lever Gallery Artist Signed Limited Edition Print

Edition 25 (+ 5 artist's proofs) numbered and signed by the artist
Size approx 26 cm X 40 cm
Medium Professional high-resolution scan, colour adjusted to closely represent original artwork. Giclée print on 100% ‘Hahnemühle’ 308gsm Fine Art Paper, using archival pigmented inks.

The original artwork was a pencil drawing on art board, 1965. Our prints are made using a 5X4 transparency of the original work

Brian Sanders was commissioned by Stanley Kubrick to record the film being made and spent a year drawing and painting in Stage H at Shepperton Studios, England. 

The drawing shows the film crew at work preparing the innovative rolling camera rig used to film inside the rotating centrifuge. The huge rotating set was designed to create the impression that the crew were walking around the space craft in zero gravity. 

2001: A Space Odyssey production designer Harry Lange had previously worked at NASA with Wernher von Braun and as a result the designs he created for the film required security clearance by NASA.  Designs similar to Lange's work would appear in actual NASA space missions over the following decades. The production design, the realistic light and dark of space and the slow movement of action in the film helped establish it as touchstone for most if not all 'space' films that were to follow over the coming decades. 

Lever Gallery meticulously restored and scanned 50 year old 5'X4' and 10'X8' transparencies of Brian's original work, the actual drawings and paintings having been lost in a fire at Kubrick's house several years ago. The reproductions are the first time the public has been able to see again how the film was made, the dedication of Kubrick and the crew plus the highly innovative techniques used to create such convincing scenes of weightlessness in space.

Lever Gallery Signed Limited Edition Prints

Professional high-resolution scan, colour adjusted to closely represent original artwork. Giclée print on 100% Cotton Rag ‘Hahnemühle’ 308gsm Fine Art Paper, using archival pigmented inks.

LG 1 2016    

Edition of 20 + 5 artist's proofs, each signed by the artist

Paper size 59.5 cm X 42 cm  

Print of original work (c.1965, acrylic on board)

Commissioned to illustrate a crime story in the German magazine, Bunte, Johnson hasn’t encapsulated the narrative with a single scene, as he would usually.  Instead, he has lifted a number of motifs from the story and assembled them like pieces of evidence. Johnson himself appears in the illustration as the photographer.

If you have any questions regarding this edition please email info@levergallery.com

Lever Gallery Artist Signed Limited Edition Print

Edition 20 (+ 5 artist's proofs) numbered and signed by the artist
Size approx 76 cm wide x 91 cm tall
Medium Professional high-resolution scan, colour adjusted to closely represent original artwork. Giclée print on 100% ‘Hahnemühle’ 308gsm Fine Art Paper, using archival pigmented inks.

The original artwork was a mixed media collage on art board, 1965. Our prints are made using a 5X4 transparency of the original work

Brian Sanders was commissioned by Stanley Kubrick to record the film being made and spent a year drawing and painting in Stage H at Shepperton Film Studios, England. 

2001: A Space Odyssey production designer Harry Lange had previously worked at NASA with Wernher von Braun and as a result the designs he created for the film required security clearance by NASA.  Designs similar to Lange's work would appear in actual NASA space missions over the following decades. The production design, the realistic light and dark of space and the slow movement of action in the film helped establish it as touchstone for most if not all 'space' films that were to follow over the coming decades. 

Lever Gallery lovingly restored and scanned 50 year old 5'X4' and 10'X8' transparencies of Brian's original work, the actual drawings and paintings having been lost in a fire at Kubrick's house several years ago. The reproductions are the first time the public has been able to see again how the film was made, the dedication of Kubrick and the crew plus the highly innovative techniques used to create such convincing scenes of weightlessness in space.

 LEVER GALLERY can organise framing of prints. If you would like further information regarding prints or framing please contact us info@levergallery.com

Lever Gallery Signed Limited Edition Prints

Professional high-resolution scan, colour adjusted to closely represent original artwork. Giclée print on 100% Cotton Rag ‘Hahnemühle’ 308gsm Fine Art Paper, using archival pigmented inks.  

One of only 20 prints - each signed by the artist Gino D'Achille

Paper size 59.5 cm X 42 cm  

If you have any questions regarding this edition please email info@levergallery.com

Original artwork; c.1965, acrylic on board

Painted for Nova magazine. D’Achille captures the utopian ideals behind the building of new, modernist public housing in the sixties. The architecture is elegant, from its ordered façade to the splash of blue amongst plain and simple materials. Offset with a lush tree and even playful chalk drawings on the pavement. The piece is designed to be viewed with its partner, Life on a Council Estate 2.

Lever Gallery Signed Limited Edition Prints

Professional high-resolution scan, colour adjusted to closely represent original artwork. Giclée print on 100% Cotton Rag ‘Hahnemühle’ 308gsm Fine Art Paper, using archival pigmented inks.

One of only 20 prints - each signed by the artist Gino D'Achille

Paper size 59.5 cm X 42 cm  

If you have any questions regarding this edition please email info@levergallery.com

 Original artwork; c.1965, acrylic on board

Painted for Nova magazine in conjunction with Life on a Council Estate 1, D’Achille gets behind the stylish modernity of the building’s façade to illustrate the council residents’ imagined lives in such a construction. 

Signed Limited Edition Prints

Professional high-resolution scan, colour adjusted to closely represent original artwork. Giclée print on 100% Cotton Rag ‘Hahnemühle’ 308gsm Fine Art Paper, using archival pigmented inks.

Edition of 50 + 5 artist's proofs, each signed by the artist

Paper size 59.5 cm X 42 cm  

If you have any questions regarding this edition please email info@levergallery.com

Original Painting c.1969, acrylic on board    

Johnson occasionally drove Lotus cars competitively was a huge admirer of John Surtees. In this painting, Surtees can be seen sitting in the cockpit of Jim Hall’s 1969 Chaparral 2H whilst Hall stands alongside beside one of his mechanics. Surtees raced this innovative car during the 1969 Can-Am season.  

Surtees was a four-time 500cc motorcycle World Champion (1956, 1958, 1959 & 1960) and Formula One World Champion in 1964. He remains the only person to have won World Championships on both two and four wheels. 

Lever Gallery Artist Signed Limited Edition Print

Edition 20 (+ 5 artist's proofs) numbered and signed by the artist
Size approx 51 cm X 68 cm  
Medium Professional high-resolution scan, colour adjusted to closely represent original artwork. Giclée print on 100% Cotton Rag ‘Hahnemühle’ 308gsm Fine Art Paper, using archival pigmented inks.

If you would like further information regarding prints or framing please contact us info@levergallery.com

The original artwork was an acrylic painting on art board, 1965. Our prints are made using a 5X4 transparency of the original work

Illustration of the filming of the Moon Pit scene.

Brian Sanders was commissioned by Stanley Kubrick to record the film being made and spent a year drawing and painting in Stage H at Shepperton Studios, Shepperton, England. 

2001: A Space Odyssey production designer Harry Lange had previously worked at NASA with Wernher von Braun and as a result the designs he created for the film required security clearance by NASA.  Designs similar to Lange's work would appear in actual NASA space missions over the following decades. The production design, the realistic light and dark of space and the slow movement of action in the film helped establish it as touchstone for most if not all 'space' films that were to follow over the coming decades. 

Lever Gallery lovingly restored and scanned 50 year old 5'X4' and 10'X8' transparencies of Brian's original work, the actual drawings and paintings having been lost in a fire at Kubrick's house several years ago. The reproductions are the first time the public has been able to see again how the film was made, the dedication of Kubrick and the crew plus the highly innovative techniques used to create such convincing scenes of weightlessness in space.