Uncovered - Illustrating the Sixties and Seventies

1964, acrylic on board

For the 1964 Fontana edition of Alistair MacLean’s 1959 novel Night without End, Fratini captures the conflict of two men trapped on the ice after a crash-landing. It appears to depict a fight to the death, the eventual victim painted in aggressive red and bearing a gun.

The original painting art board is approximately 45 cm wide x 33 cm tall. 

This artwork is sold with a copy of an original Night Without End paperback featuring the Fratini artwork. 

If you have any questions regarding this edition please email info@levergallery.com

1967, acrylic on board,  40 cm wide x 34 cm tall

Alistair MacLean’s 1961 thriller was republished by Fontana Books in 1967. Fratini depicted the ‘steel jungle’ oil-platform setting of the novel on a choppy ocean. The story of revenge is expressed in the struggle of the couple in the foreground.

The artwork is sold with an original Fear is the Key paperback that features the Fratini illustration.  

The original painting art board is approximately 40 cm wide x 34 cm tall. The artwork is float mounted on to conservation grade mountboard and presented in a white wooden box frame glazed with anti-reflective glass.

Lever Gallery Print

Professional high-resolution scan, colour adjusted to closely represent original artwork. Giclée print on 100% Cotton Rag ‘Hahnemühle’ 308gsm Fine Art Paper, using archival pigmented inks.

Paper size 42 cm X 29.7 cm  

If you have any questions regarding this edition please email info@levergallery.com

Original artwork; c.1960s, acrylic and pencil and board

Above Suspicion, a 1941 novel by Helen MacInnes was made into a film in 1943, starring Joan Crawford.  This is an example of how De Gaspari often used blocks of colour to focus his cover illustrations and his distinctive experiments with texture: layering different types of paper and sometimes even scratching the surfaces or rubbing sand into images.

For the 1964 Fontana edition of Alistair MacLean’s 1959 novel Night without End, Fratini captures the conflict of two men trapped on the ice after a crash-landing. It appears to depict a fight to the death, the eventual victim painted in aggressive red and bearing a gun.

Lever Gallery Prints

Professional high-resolution scan, colour adjusted to closely represent original artwork. Giclée print on 100% Cotton Rag ‘Hahnemühle’ 308gsm Fine Art Paper, using archival pigmented inks.

Created from an original artwork on art board, 1964